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Blue Note

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$59.99

Massive funk from the Blue Note vaults -- a batch of tracks that are easily some of the most-sampled numbers in the catalog of the legendary label! There's a simple, elegant brilliance to most tracks here -- nothing fancy, just straightforward grooves that mix together perfect beats, pristine production, and...
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$39.99

Feels Like Home, the GRAMMY-winning second album by Norah Jones, was co-produced by Jones & Arif Mardin, who also produced the singer & pianist’s acclaimed debut Come Away With Me. The 2004 release was a collection of originals including “Sunrise” & “What Am I To You” plus covers of songs...
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$44.99

Double Booked bridges Glasper's parallel careers as the leader of an acclaimed jazz trio and a first-call sideman with hip-hop artists such as Mos Def, Q-Tip and The Roots. Moving nimbly from the acoustic Robert Glasper Trio to the hip-hop fusion Robert Glasper Experiment, the young keyboardist...
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"Combustication" is the fifth (major label) release by experimental jazz fusion trio Medeski, Martin & Wood. It was their first album for Blue Note Records, and the first to include an accompanying turntablist (DJ Logic). It features instrumental renditions of the Sly and the Family Stone hit "Everyday People", as...
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$64.99

Following his excellent 1963 debut Evolution, trombonist Grachan Moncur III ventured even deeper into experimental waters on 1964’s Some Other Stuff, a boldly avant-garde album featuring Moncur with a cohort of fellow explorers including Wayne Shorter, Herbie Hancock, Cecil McBee, and Tony Williams. This stereo Tone Poet Vinyl Edition was...
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Leo Parker was the first bebop bari sax player and a member of Billy Eckstine’s Unholy Four saxophone section with Dexter Gordon in the mid-40s. Sidelined in the 50s due to personal troubles, he made a tragically brief comeback in 1961 recording two Blue Note dates including Rollin’ With Leo...
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"Ten years after making his Blue Note debut and following two Grammy-winning volumes of his R&B-oriented Black Radio albums, Robert Glasper returns to his acclaimed acoustic jazz trio for his album, Covered (The Robert Glasper Trio recorded live at Capitol Studios). The album consists mainly of covers, including Glasper's favorite...
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$44.99

The brilliant pianist Don Pullen was a striking and versatile player who first came to prominence with Charles Mingus in the 1970s. Following two Blue Note albums with the Don Pullen-George Adams Quartet, Pullen branched out on his own in the trio format with his 1988 recording New Beginnings featuring...
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$129.99

Guitarist Kenny Burrell had already achieved rising star status with several stellar Blue Note albums to his name when he entered the storied NYC jazz club The Five Spot Café on August 25, 1959 to record On View At The Five Spot Café. The band Burrell assembled for the gig...
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Drummer Tony Williams had a long, fruitful relationship with Blue Note Records beginning in the 1960s when as a teenager he appeared on numerous post-bop classics—Herbie Hancock Maiden Voyage, Eric Dolphy Out to Lunch, Andrew Hill Point of Departure—and made his adventurous first albums as a leader: Life Time (1964)...
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$39.99

Pianist & composer Gerald Clayton returns with his 3rd Blue Note album Ones & Twos featuring vibraphonist Joel Ross, flutist Elena Pinderhughes, trumpeter Marquis Hill & drummer Kendrick Scott with post-production work by Kassa Overall. The album is an experiment—an idea inspired by the art of turntablism with Clayton setting...
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Recorded in Hollywood, California between two sessions in December 1956 and January 1957, Art Pepper’s Modern Art for the Intro label was an exemplar of West Coast Jazz that featured his melodic alto saxophone flights atop cool jazz, bebop, and blues in the company of a quartet with Russ Freeman...
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$42.99

One of the greatest line-ups of drummer Art Blakey’s hard bop finishing school The Jazz Messengers coalesced in 1960 when tenor saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt for the recording of The Big Beat, an album that signaled the transformation of the...
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A little-known tenor saxophonist deserving of much wider recognition, Teddy Edwards made two Pacific Jazz albums including 1960’s impressive Sunset Eyes, a showcase for his rich, powerful, full-blooded sound that dispels any preconceived notions that all West Coast jazz musicians maintained a uniformly placid musical demeanor. The album was drawn...
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$54.99

Guitarist, sonic explorer, and Wilco bandmember Nels Cline presents the debut recording by his Consentrik Quartet featuring Ingrid Laubrock on saxophones, Chris Lightcap on bass, and Tom Rainey on drums. Cline’s fourth Blue Note album Consentrik Quartet features 12 evocative and far-ranging soundscapes composed by Cline....
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Blue Note founder Alfred Lion considered Andrew Hill to be a pianist and composer who was every bit as strikingly original and important as Thelonious Monk and began recording Hill with a fervor in 1963. Hill, for his part, did not disappoint. The pianist burst out of the gate with...
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A little-known Boston-born baritone saxophonist, Serge Chaloff was one of the earliest bebop practitioners on his instrument and possessed a remarkable agility and lyricism. He first gained wider recognition as a member of the “Four Brothers” saxophone section in Woody Herman’s band in the late-1940s alongside Stan Getz and Zoot...
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The Kingston, Jamaica born trumpeter Dizzy Reece moved to London at age 17 and began performing across Europe, most frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davis and Sonny Rollins who spread the word about a...
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The bluesy and soulful pianist Horace Parlan is perhaps best known for his work with Charles Mingus on the bassist’s seminal 1959 albums Mingus Ah Um and Blues & Roots. That same year Parlan made his first Blue Note appearance on Lou Donaldson’s album The Time Is Right and in...
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Tenor saxophonist Curtis Amy’s second Pacific Jazz album Groovin’ Blue was a hard-swinging date co-led with drummer Frank Butler that was also one of the earliest recordings to feature vibraphonist Bobby Hutcherson. Rounding out the band are trumpeter Carmell Jones, pianist Frank Strazzeri and bassist Jimmy Bond. This stereo Tone...
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$42.99

Horace Silver had been delivering hard bop classic after hard bop classic for more than a decade when he shifted gears and began moving into more groovy territory with 1966’s The Jody Grind. When the pianist next went into Van Gelder Studio in 1968 he kept it funky with another...
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$49.99

Recorded in 1967, Hank Mobley’s Third Season was a typically high-calibre hard bop outing by the tenor saxophonist with a 7-piece band featuring alto saxophonist James Spaulding, trumpeter Lee Morgan, guitarist Sonny Greenwich, pianist Cedar Walton, bassist Walter Booker and drummer Billy Higgins. This stereo Tone Poet Vinyl Edition was...
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When saxophonist Lou Donaldson hooked up with the funky drummer Idris Muhammad on Alligator Bogaloo it began a run of great groove-oriented albums including Say It Loud with trumpeter Blue Mitchell, organist Charles Earland, and guitarist Jimmy Ponder for a deeply soulful set opening with a cover of James Brown’s...
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$42.99

1960’s Look Out!—the debut album by Stanley Turrentine—announced the arrival of a deeply soulful saxophonist who imbued every note he played with feeling. Along with the tried-and-true rhythm section of pianist Horace Parlan, bassist George Tucker, and drummer Al Harewood, Mr. T delivered a superb set of hard bop that...
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Tenor saxophonist Hank Mobley was on a serious roll when he recorded his 1960 album Roll Call, the follow-up to his classic Soul Station, which reconvened the same rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey with the addition of Freddie Hubbard on trumpet for...
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After Sonny Rollins first appeared on a Blue Note session as a member of Bud Powell’s Modernists in 1949, the Saxophone Colossus began building his name as a bandleader with a run of albums for Prestige before returning to make his Blue Note debut as a leader in 1956. Volume...
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Dexter Gordon’s 1963 album Our Man In Paris was his first dispatch from Europe and is also symbolically considered to be the last true bebop album. After recording his masterful albums GO! and A Swingin’ Affair in the Summer of 1962, the great saxophonist left the United States for what...
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Blue Note MVP Duke Pearson was a versatile presence on the label from the late-1950s thru the early 1970s, contributing in myriad ways to numerous classic albums as a pianist, bandleader, sideman, composer, arranger, and producer. After recording a pair of trio albums as a leader for Blue Note in...
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$44.99

Trumpeter Freddie Hubbard burst out of the gates in 1960 with a torrent of creativity that produced 6 classic albums in two years including Here To Stay featuring saxophonist Wayne Shorter, pianist Cedar Walton, bassist Reggie Workman & drummer Philly Joe Jones. Highlights include Hubbard’s opener “Philly Mignon” & a...
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Time and troubles seem to melt away during the 15 enrapturing minutes of Idle Moments, the opening track of Grant Green’s sublime 1963 album of the same name. As the piece unhurriedly unfurls all the unique colors of the ensemble present themselves with Green’s soulful guitar joined by Duke Pearson’s...
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Herbie Hancock -"Maiden Voyage" [Blue LP] Even by the high-water marks set by Herbie Hancock's tremendous 1960s output for Blue Note, 1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined by his Miles David Quintet bandmates, Ron Carter (bass), Tony Williams...
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Suave saxophone master Dexter Gordon had been living in Europe for several years when he returned to make his final Blue Note album Gettin’ Around in 1965. This sublime set features a unique instrumentation with Dexter’s tenor the lone horn holding the spotlight with nuanced accompaniment by Bobby Hutcherson, Barry...
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Donald Byrd was off to the races after joining Blue Note in 1958 and had fully hit his hard bop stride by 1961 with his excellent album Royal Flush. Joining the trumpeter was a state-of-the-art rhythm section featuring Herbie Hancock on piano, Butch Warren on bass, and Billy Higgins on...
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$49.99

Freedom Sound, the 1961 debut by The Jazz Crusaders, began a prolific & successful decade-long association with Pacific Jazz. The Houston, Texas founded band featuring Stix Hooper, Joe Sample, Wayne Henderson, Wilton Felder & Jimmy Bond blended jazz aspirations with R&B roots to create an enticing sound. This stereo Tone...
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Pianist and composer Andrew Hill had already built a formidable and beguiling body of work on Blue Note by the time he recorded Grass Roots in 1968, an album that stands as one of the most immediately accessible in his prolific output for the label which spans 1963-2006. Hill’s heady...
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Hank Mobley was inspired by Birth of the Cool on his 1966 album A Slice of the Top featuring Duke Pearson’s arrangements for an octet that added euphonium and tuba to a group with James Spaulding on alto sax, Lee Morgan on trumpet, McCoy Tyner on piano, Bob Cranshaw on...
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$42.99

Motion I is the debut album from Out Of/Into, the collective formerly known as The Blue Note Quintet, featuring pianist Gerald Clayton, alto saxophonist Immanuel Wilkins, vibraphonist Joel Ross, drummer Kendrick Scott, and bassist Matt Brewer. The band was formed in celebration of Blue Note Records’ 85th Anniversary and embarked...
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$54.99

A never-before-issued live recording of jazz legends McCoy Tyner and Joe Henderson leading a stellar quartet with bassist Henry Grimes and drummer Jack DeJohnette at the hallowed lost jazz shrine Slugs' Saloon in New York City in 1966. Originally recorded by the legendary engineer Orville O’Brien — who recorded classic...
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$39.99

Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In...
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$44.99

The 1960 edition of the Art Blakey & The Jazz Messengers was one of the band’s greatest line-ups with the drummer joined by trumpeter Lee Morgan, saxophonist Wayne Shorter, pianist Bobby Timmons & bassist Jymie Merritt. Opening with a sublimely swinging version of the title track, the rest of Like...
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$46.99

The debut album by American trumpeter Eddie Gale, recorded in 1968 and released on the Blue Note label. A member of the Sun Ra Arkestra before and after taping these sides, Gale also played on Cecil Taylor's Blue Note debut, Unit Sfructures. "The aesthetic and cultural merits of Ghetto Music...
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$49.99

The arresting 1965 session Dialogue was the debut album to be released by vibraphonist Bobby Hutcherson who had already proven himself a versatile sideman on classic Blue Note albums from Grant Green’s Idle Moments to Jackie McLean’s Destination Out to Eric Dolphy’s Out To Lunch. In fact, Blue Note boss...
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The under-recognized tenor saxophonist Clifford Jordan blew in from Chicago in 1957 and recorded a trio of excellent Blue Note sessions over a prolific 8-month span including the self-titled album Cliff Jordan. Jordan’s 2nd date for the label was a generous serving of smoldering bop featuring a robust septet with...
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$36.99

Pianist and composer Aaron Parks returns to Blue Note Records—where he released his influential 2008 album Invisible Cinema—with Little Big III, the third studio album from his acclaimed band Little Big featuring guitarist Greg Tuohey, bassist David Ginyard Jr., and drummer Jongkuk Kim. Co-produced by Parks and Don Was, the...
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$54.99

Saxophonist/composer Immanuel Wilkins' third studio album, Blues Blood, is a meditative offering partially inspired by his childhood, a multimedia performance about the legacies of our ancestors and the bloodlines connecting us. Co-produced by Meshell Ndegeocello and feat. Micah Thomas (piano), Rick Rosato (bass), Kweku Sumbry (drums), and vocalists Ganavya, June...
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Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder’s studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers and drummer Art Blakey, but on that day, the quartet laid down what would become his...
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Midnight Blue is the 1963 album by guitarist Kenny Burrell, which features Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga. This record is one of Burrell's best-known works for Blue Note. Highlights include Burrell originals “Chitlins con Carne”, “Midnight...
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Grant Green’s Blue Note output was prolific through the early-60s producing more than 20 hard bop and soul jazz sessions as a leader for the label between 1961-1965. By the time the guitarist returned to the label in 1969 his musical style had evolved to embrace jazz-funk and R&B as...
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