Analogue Productions
$79.99
Genesis' album Nursery Cryme, released in November 1971, marked a significant moment in the band's evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett. Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming....
$79.99
"This is one of my favorite LPs of all time. ... My heart literally skipped a beat when I saw that Analogue Productions was bringing us a (180-gram), 45 RPM version of this LP. To top it off, it would be pressed at the new Quality Record Pressings plant and...
$79.99
Otis Blue/Otis Redding Sings Soul (often referred to simply as Otis Blue) is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt. Otis Redding's third album arrived in...
$79.99
Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording. AllMusic notes that with fine backup by pianist Hank Jones, bassist Paul Chambers, and drummer Connie Kay, Bags and Trane stretch out on two of Jackson's originals...
$79.99
Donny Hathaway is the second studio album by American soul artist Donny Hathaway, released on April 2, 1971, on Atco. The majority of songs featured on the collection were covers of pop, gospel and soul songs that were released around the same time. The most prominent of the covers were...
$79.99
Rolling Stone proclaimed that Morrison Hotel opens “with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded.” In short, the harsh brilliance of “Roadhouse Blues” was its angry hard rock...
$79.99
Genesis' seventh studio album was released in February 1976 on Charisma Records and was the first to feature drummer Phil Collins as lead vocalist after the departure of Peter Gabriel. The album was a critical and commercial success in the U.K. and U.S., reaching No. 3 and No. 31 respectively....
$79.99
Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings! The title track from this, the last Doors album recorded with Jim Morrison, who died shortly after it was released, has, said one reviewer, “maybe the best Chuck Berry riffs since the Stones.” And that’s...
$59.99
Producer Norman Granz was an associate of Duke Ellington's for many years, and it is not surprising that his labels have frequently hosted Ellington tributes that bring out the best in the participating world-class musicians. Although Clark Terry is the only participant in the present celebration to have logged significant...
$59.99
Anyone who ever heard Count Basie launch his band into a blues with several choruses of effortless piano has lamented that there is far too little of Basie the soloist among his recorded legacy. This shortage was rectified to a certain extent by the trio albums Basie made with Ray...
$59.99
It could be argued that no two pianists could be more unalike than Count Basie, the master of understatement, and Oscar Peterson, the avatar of speed, power, and embellishment. The contrast in their approaches is part of what made their collaborations riveting. But the fact is that Basie, who held...
$59.99
"On a dozen standards, Marshall's playing serves as interludes between the percussion displays of Manne; the liners give a full description of every device he hits. ... the sound is excellent for the period." — Scott Yanow, AllMusic Revel in the sonic brilliance of Sounds Unheard Of! by Shelly Manne...
$59.99
"I would give the new Analogue Productions the edge and believe me for $40 bucks plus the shipping, whatever it is, you're not going to be able to find a super-clean copy of the original Audio Fidelity 1960 record you know unless you want to spend who knows double the...
$59.99
Count Basie occasionally cautioned young sidemen who were feeling their oats not to play bebop in his band, which was rooted in the rhythmic and harmonic soil of the swing era. How, then, could Basie be expected to make an album with Dizzy Gillespie, one of the progenitors of bop?...
