Recorded originally at 44.1kHz/16-bit. Remastered by original recording engineer Peter Moore, and Cowboy Junkies

Lacquers cut by Ryan K. Smith at Sterling Sound. Expanded gatefold edition with additional photos, new cover design as the musicians/artist intended

New liner notes written by author and music editor Jason Schneider

Stoughton Printing old-style tip-on gatefold jacket

Plated and pressed on 180g vinyl at Quality Record Pressings

“Regardless, sonics are first-rate, as is Analogue Productions’ knockout reissue. The sound is exceptionally ambient and airy, with a remarkable sense of depth and a seemingly endless stage. Instruments are creamy-rich in texture, as is Timmins’ come-hither vocal style. If you love Trinity Sessions, you’ll want this edition.” — Wayne Garcia, The Absolute Sound, February 2017. Read the whole review here.

Read about the making of this spectacular album in Tom Doyle’s October 2015 article for Sound On Sound magazine here.

Cowboy Junkies recorded this spectacular LP as a “live” event Nov. 27, 1987 at the Church of the Holy Trinity in Toronto. It was recorded with a digital R-Dat and using only a Calrec Ambisonic Microphone. What this means is the record sounds like the band was playing right in front of you with the perfect ambiance.