A compositional structure built entirely from constant movement creates the illusion of a stable architecture. Within this contained structural mirage, an array of sounds seep through, wrapping, camouflaging, and revealing their compositional scaffoldings, conjured up from a simple method of counting. By placing these simple counters alongside one another, different structural configurations are formed. In the fashion of Siah Armanjni’s miniature models, where a plethora of staircases reveal the architectural surface as both bidirectionally mobile and at a standstill, “7 runs” achieves a status of motionlessness through constant repetition. Is descending a ladder to nowhere the same as sitting? Are 7 pulses equally partitioned through time, no longer a discrete measure of time?