Psych

Various Artists “Garland Records: Pacific Northwest Jukebox” (Sundazed)

2020-03-27T02:29:27+00:00March 27th, 2020|

Rare and unissued Pacific Northwest floor fillers! While soul music might not be the first thing that comes to mind when you think of the music of the Pacific Northwest, Salem Oregon’s Garland Records was churning out high quality hip shakers along with their reels of garage & psych.

Contained here is some super deep ‘Northwestern Soul,’ including three cuts making their inaugural spins 50 years after they were put to tape.

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Arbouretum ‎”Let It All In” (Thrill Jockey)

2020-03-27T02:29:25+00:00March 27th, 2020|

Arbouretum’s mystic folk-rock uses English folk, country blues, Americana and 70s psychedelia as touchpoints in their singular and distinctive sound and they’ve perfected the craft of storytelling, using a delicate interplay of melodies and prosaic lyrics. Let It All In is their most accomplished and evocative album yet. Guitarist and vocalist Dave Heumann’s melodies and solos remain a central focus bolstered by the hypnotic rhythms of bassist Corey Allender and drummer Brian Carey, enhanced by Matthew Pierce’s substantial yet understated keyboard figures. Each song a vivid scene or tale; Heumann’s deep sense of spirituality and command of storytelling through myth and metaphor transports the listener to another world and time.

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Aardvark “Aardvark” (Esoteric)

2020-03-27T02:29:24+00:00March 27th, 2020|

One of the best albums released on NOVA, “Aardvark” features such outstanding pieces as the evocative ‘Once Upon A Hill’, ‘Many Things To Do’ and the powerful album closing track; ‘Put That In Your Pipe And Smoke It’.

This Esoteric Recordings reissue has been remastered from the original master tapes and features a booklet with fully restored artwork and new essay.

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Acrimony ‎”Hymns To The Stone” (Burning World)

2020-03-27T02:29:24+00:00March 27th, 2020|

The first album by Acrimony (from 1994) for the first time ever on vinyl! Remixed and mastered in 2019 from original studio files by James Plotkin. Includes new artwork from JimBob Isaac (Taint/Hark). Acrimony’s influences were varied, from ’70s rock to trance techno, but their riffs were undeniably heavy, with lyrics exploring the isolation of their hometown and the same kind of disaffection that once launched Black Sabbath to the outer reaches of doom from a blues rock beginning.

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Epizootic “Daybreak” (Longhair)

2020-03-27T02:29:22+00:00March 27th, 2020|

Epizootic’s sole album is very rare one and in good shape a very expensive album if you are looking for an original one. Longhair is proud to present the first official re-release of this album, first issued in 1976 by Epizootic as a private pressing. Their music could be described as raw hard rock with psychedelic flavours, dominated by organ and guitar. Breaks and tempo changes within the titles are responsible for a diversified album. In his book ‘Scented Garden Of The Mind’ Dag Erik Asbjornsen declares: Epizootic made one of the most obscure Swedish heavy rock albums, in a joyful style reminiscent of Fuzzy Duck and early Atomic Rooster. The album has been re-remastered from an early CD self-release by the band and gains a better sounding. On the insert, keyboarder Lars Liljegren tells the band’s story and some never before seen photos show the band in their glorious days. Don’t miss the limited edition of this extremely rare album. Recommended.

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Fraction “Moon Blood” (Phoenix)

2020-03-27T02:29:21+00:00March 27th, 2020|

Los Angeles-based Fraction’s heavy psych classic Moon Blood was originally released on the Angelus record label in 1971. Only 200 copies were pressed, so originals are currently worth a small fortune. Fraction, with vocalist Jim Beach, bearing an uncanny vocal resemblance to Jim Morrison (although he was singing on Sunset Strip long before Morrison took to the stage), were often compared favorably with The Doors, although their quasi-religious message would probably not have found favor with the recently-departed Morrison. Indeed, this rather fine record was once famously described as the album The Doors probably wished they’d made! Underpinned by guitarist Don Swanson’s superb Ritchie Blackmore-style guitar work, this is an album full of beautiful psychedelia, acid and hard rock, at once emblematic of the era, but not dated by its association. The five original compositions are consistently of the highest quality and the contribution of Beach’s now legendary vocals places a stamp of originality on the recording that endures from beginning to end. Monstrously heavy, howling, epic psych that is basically a must-own. A truly excellent album. Featuring the original die-cut cover with colored cellophane, and pressed on 180 gram vinyl.

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GR ‎”The GR Record Head” (Cardinal Fuzz)

2020-03-27T02:29:21+00:00March 27th, 2020|

No-bullshit underground free-rock and proto-punk dosage featuring a multi-piece line up of GRs! This acetate slab of defiant mixture makes the magic happens like an hallucinatory disenchantment incorporated into some ultra vindictive power… Infectious, scary, brutal, elegiac, freakish and wickedly stylish, GR’s fifth solo album ‘The GR Record Head’ pushes the boundaries straight up to cook your synapses. Once again, the album comes out outside of the standards, with no other backing than GR himself on all instruments plugged into overheated tubes, then a few dusty razor-like moving coil transducers, a mixing board built like a Panzer and an analog 4 track reel to reel recorder from another age. GuitaRazing, frenzied riffing and cranked soloing vagabondage on corroded strings, mesmeric tone, acid rave ups, rhythms like catapults, motorik plus deconstructive free forms, opaque vocals full of venom and fuelled by raw lines & metrics… Now pair all that with the craft of fixing sounds onto an early ’80s 1/4 inch reel tape and you got an idea of what The GR Record Head is all about.
The mother of all fuckers in actual D.I.Y./low-fi rock’n’roll.
Limited edition of 300 copies on white vinyl. An Opaque Dynamo (FR) and Cardinal Fuzz (UK) co-production.

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Hair “Piece” (Mayfair)

2020-03-27T02:29:20+00:00March 27th, 2020|

Denmark’s finest hard-psychedelic band will now get their first official reissue on vinyl. Hair (no connections to the musical) released their one and only album in 1970 on EMI/Columbia and despite the fact that this was major-label release, the LP still remains as one of the rarest artifacts out of Denmark.
The listener will be rewarded with an effective combination of guitar dominated hard-psychedelic songwriting and strong melodic influences, culminating in their awesome masterpiece ‘Dream Song’. This 2LP-Set includes the original album and all six songs from their singles plus a previously unreleased (on vinyl) song as extensive bonus material. The album and single tracks have all been remastered from the master tapes.

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The Savage Resurrection ‎”The Savage Resurrection” (Mercury)

2020-03-27T02:29:19+00:00March 27th, 2020|

US IMPORT. An exact repro vinyl reissue of the sole album by this Bay Area acid-/psychrock band, originally issued by Mercury in 1968. A classic delivery of guitar dominated psychedelia, recommended to fans of Hendrix, Cream, Quicksilver Messenger Service, Tripsichord Music Box, Frumious Bandersnatch, etc.

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Skip Bifferty ‎”Skip Bifferty” (Acme)

2020-03-27T02:29:18+00:00March 27th, 2020|

Originally recorded in 1967 but not released until 1968, and in conjunction with the band here is the brand new official reissue of their classic debut album. This special edition comes with the mind-blowing psych artwork now reinstated with correct back sleeve artwork (minus the typo errors that plagued the original LP sleeve and hideously cheaply printed band photo) courtesy of band member Colin Gibson. In addition, this release comes with a previously unreleased bonus 1968 7″ single ‘Round And Round’ b/w ‘Reason To Live’ that was planned to have been their third single but was pulled at the last moment. A great psych classic – comes highly recommended! Limited edition pressed on 180 gram vinyl.
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The Sweet Marie ‎”Sweet Marie 1″ (Wah Wah)

2020-03-27T02:29:18+00:00March 27th, 2020|

Back on vinyl, this is the first of two great albums released by this obscure Hawaii-based band. The album offers the same style of exotic-blues, light psych and hard-edged acid rock as their second album ‘Stuck In Paradise’. This reissue (500 copies pressed) comes with remastered sound, reproduced artwork and an insert.

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T2 “It’ll All Work Out In Boomland” (Lion)

2020-03-27T02:29:17+00:00March 27th, 2020|

The rise of power trio T2 in 1970 was rapid: important open-air festivals; headlining residencies at the Marquee Club; appearances at virtually every major venue in London. Then their debut album was released; they seemed poised for a breakthrough. As the band recalled, they were playing the Marquee club, with John Lennon and Jimi Hendrix hanging out backstage, which was all to the good. But people were coming forward saying, “we cant find your album anywhere.” In short order, the band fell apart. Still, their sole Decca album has become well established as an all-time classic amongst progressive and psychedelic music collectors-even the techno and dj crowds. The fact that it has done so without hype is a testament to the innate quality of the music. The album is packed with melodic acoustic passages, frenzied fuzz guitar workouts, not to mention acid-trip induced lyrical and musical content. It is, in every way, an extraordinary album, one of rock musics best kept secrets, on a par with all the other major works that form the rock music canon of the time. Hefty booklet contains extensive musicological analysis by composer and musician Andrew Keeling, which includes illuminating interviews with band members Peter Dunton and Keith Cross, as well as detailed illustrations. Included as bonus are three tracks from BBC Sessions recorded in October 1970. Licensed from Decca/Universal, UK.

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Toad “Dreams” (Akarma)

2020-03-27T02:29:17+00:00March 27th, 2020|

After the release of ‘Tomorrow Blue’, we have to wait ’til 1975 to find Toad’s third album, unfortunately their last one. Originally released on Frog, ‘Dreams’ is a very good album that never got the attention it deserved because the band was a little bit disregarded by international press, and what was supposed to be their best seller, turned out being their swan song.

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Frijid Pink ‎”Frijid Pink” (Akarma)

2020-03-27T02:29:16+00:00March 27th, 2020|

From Detroit, Michigan this act was a fine example of the local hard rock and blues scene. They enjoyed three top 100 hits in the US, but their finest moment was their highly original rock arrangement of ‘House Of The Rising Sun’, which is especially notable for some superb guitar work. Produced by Michael Valvano, their debut album also sold well, peaking at no. 11 in the charts. Apart from ‘House Of The Rising Sun’ and ‘Cryin’ Shame’ (written by Valvano), all their material was written by Beaudry and Thompson. Recorded in New York and entirely composed of original tracks penned and produced by the group, the second album also met with some commercial success, climbing to no 149. Both albums combine hard rock and blues and are recommended to fans of the genre. The group then broke up and Rick Stevers assembled a new line-up with Craig Webb (ex-Lost Nation) on guitar.
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Locomotive “We Are Everything You See” (Magic Box)

2020-03-20T19:38:40+00:00March 19th, 2020|

Magic Box present a reissue of Locomotive’s We Are Everything You See, originally released in 1969. Led by the legendary Norman Haines, Locomotive were one of Birmingham’s finest ’60s bands. They had a 1968 hit with the ska-styled “Rudi’s In Love”, but by 1969 they had taken a more progressive direction. Their sole album was produced by Gus Dudgeon (renowned for his work with David Bowie and Elton John), but its release was delayed and the band had split by the time it finally appeared at the turn of the decade, dooming it to minuscule sales. It is now regarded as a lost classic, and is one of the most collectible albums of the era. It makes its long-overdue return to vinyl here, together with an insert containing photos and info. Features keyboardist Norman Haines. Original flipback cover.

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Wildwood “Plastic People” (Out-Sider)

2020-03-20T19:39:09+00:00March 19th, 2020|

Raw, in-your-face hard psychedelia with plenty of Vox and Hammond organ, hard guitar, and powerful vocals courtesy of Wildwood. Formed in the late ’60s in Stockton, California, this powerful outfit rubbed shoulders with groups like Country Weather, Steve Miller Band, or Grateful Dead and played at legendary venues such as the Fillmore and the Matrix. Featuring tracks from their two rare 45s for the Magnum label (including the punk-a-delic classic “Plastic People”) plus a selection of their fabulous, not released at the time studio cuts from 1968-1970, recorded at Max Weiss’s Fantasy Studios and originally unearthed by Frantic Records in 2012 for their two-CD Wildwood compilation. RIYL: Public Nuisance, The Doors, Music Machine, Steppenwolf, Hunger, Jungle. Includes insert with rare photos and liner notes by Alec Palao; Includes download card. “This is Wildwood, it’s black, it’s dark, whatever it is, it’s us.” — Frank Colli (Wildwood) “… dark and vaguely sinister in both look and sound, Wildwood melded the fuck-you attitude of the garage era with a soulful R&B streak and some enviable hard rock chops.” –Alec Palao

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Daybreak “Daybreak” (Out-Sider)

2020-03-20T19:40:03+00:00March 19th, 2020|

Out-Sider present the first ever vinyl reissue of Daybreak’s self-titled album, originally released in 1971. This elusive US private pressing was originally released on the legendary RPC custom label. Intense and crude garage-psych with echoing vocals, loud distorted guitar, fuzz bass, and organ. Three killer band originals plus some insane cover versions (Steppenwolf, Neil Young) with a basement sound not unlike Mystic Siva. Remastered sound; Includes insert with liner notes and photos.

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Levee Camp Moan “Levee Camp Moan” (Sommor)

2020-03-20T19:40:44+00:00March 19th, 2020|

Sommor Records present the first legitimate reissue one of the rarest private blues-rock albums from the UK, Levee Camp Moan’s self-titled release, originally released in 1969. In 1969, Bracknell-based blues rock outfit Levee Camp Moan released what was destined to become one of the most sought-after UK private pressings of the period on the County Recording Services label. This LP marked their status as one of the most exciting bands to emerge out of the thriving local underground scene in the Bracknell Delta. The group had taken their name from the old blues number and the band members, manager and assorted roadies took up residence in a local farmhouse known as Peacock Farm. It was there that LCM would rehearse into the small hours, thumping out a mixture of blues standards as well as their own compositions until they had become a tight unit ready to “take on the world”. Influences ranged from the urban blues of Otis Rush, Buddy Guy, and Junior Wells to Muddy Waters, Skip James, and beyond. The more or less contemporary white blues of the time, Canned Heat, Savoy Brown, and Paul Butterfield also served as a major source of inspiration. From their humble roots LCM quickly built up a following on the British Blues circuit, frequenting the likes of the Marquee, Crawdaddy, Klooks Kleek, Eel Pie Island, and Rikki Tik club. On the college circuit they toured extensively with Chickenshack, Canned Heat, and Muddy Waters with performances being of a high enough standard to generate record company interest. Unable to secure a record deal, they had no other choice but to do it themselves. And so, in the winter months of early ’69 that LCM entered Virgin Sound in nearby Windsor to lay down eight tracks recorded on a four-track machine. With no record company interference, the archetypal private pressing, raw, under-produced, and thrillingly primitive. The project successfully captured the spirit and aggression of an exciting new band and the original artefact is now a zeitgeist of that remarkable era. After Levee Camp Moan, Ian Campbell went on to carve out a busy musical career performing with, amongst many others, the Nashville Teens, Arthur Brown’s band and Mungo Jerry. Bassist Dave Stubbs played with a host of notables, including Eric Clapton’s band and Uli Jon Roth (ex-Scorpions). Original artwork. Includes insert with rare photos and full band history by Pete Sarfas.

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Matao and Atilla Engin “Turkish Delight” (Arsivplak)

2020-03-20T19:41:34+00:00March 19th, 2020|

Arsivplak present a reissue of Matao with Atilla Engin’s Turkish Delight, originally released in 1979. It’s a Turkish jazz-funk delight! Some hard-hitting rhythm section blending into a prime example of the swingin’ sound of the cool influences of jazz, funk, and folk music, with a Turkish flavor. Its fantastic funk jazz groove built on a titanium synth bassline! An instrumental library of traditional Turkish jazz session reaching a great climax in drums and percussion sets, plus electro-bass breaks with Moog and synthesizers from the beginning to the end. Traditional Turkish songs based on drums and synth bass over moody 5/8 fuzz guitars… Album recorded and released in Denmark, 1979, and it has never been released in Turkey. Hard cardboard sleeve; obi.

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Trees Speak “Ohms” (Soul Jazz)

2020-03-20T19:49:20+00:00March 19th, 2020|

When the band Trees Speak, coming out of nowhere, released an exclusive one-off 100-pressing white label 45, described as Can / Neu! meets Liquid Liquid, it sold out so quickly (in less than 30 minutes) that Soul Jazz Records decided to release their album almost immediately. Soul Jazz Records rarely release new music but found the music of Trees Speak’s album Ohms so stunning and to have so many elements of music that they admired that they felt compelled to release it.

The group Trees Speak are from Tucson, Arizona and create new music that sounds like German Krautrock meets no wave/post-punk and psych rock – music for fans of Cluster, Tangerine Dream, Can, Neu!, Silver Apples and early Kraftwerk. The album Ohms sounds at times like a tripped out and moody John Carpenter / Goblin / Morricone soundtrack that seamlessly segues into propulsive, ‘motorik’ Krautrock instrumentals loaded with fuzzy, hypnotic mellotron, synths and analogue effects, as well as elements of Art Ensemble free jazz, and all at times reaching a kind of post-rave psychedelia. More recent comparisons would include Beak> and Ghost Box who draw upon similar themes and styles.

Trees Speak relates to the idea of future technologies storing information and data in trees and plants – using them as hard drives – and the idea that Trees communicate collectively.

The Vinyl format includes an exclusive bonus 45 single (the white label of which sold out so fast) that will only be available with the first order of this amazing and ground-breaking new album.

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Primitive

2020-03-19T20:32:11+00:00March 12th, 2020|

 In Stock March 17, 2020

Gritty ’67 Garage Punk Perfection!

The complete known recorded work from dominant New York garage punks The Groupies! Includes their iconic and oft-covered nugget “Primitive,” its B side of equal swagger “I’m A Hog For You,” and a complete bombastic 1967 live show put to tape before the band imploded and microphone madman Cooker went to the pen!

Decades before it caught on as the empty boast of every eighties and nineties hair metal band, there was a group – or Groupies, as it were – who fully earned the title, “the bad boys of rock.” Rising from the gutters of New York, the Groupies rose to brief east coast notoriety in 1966, issuing the astounding “Primitive,” a loose rewrite of the Willie Dixon-Howlin’ Wolf blues standard “Spoonful,” rewritten in the Groupies’ own image.

On this occasion, the Groupies’ live set reads like a tribute to Chess Records, with an emphasis on Howlin’ Wolf and songwriter Willie Dixon. This blues material is all predictably intense, the same can be said for their cover of Ike & Tina Turner’s “It’s Gonna Work Out Fine.” With a nod to their British Invasion influences, also included are fervid covers of Them and the Kinks. While it may be a fool’s errand comparing a Kinks cover to the original, when “It’s Too Late” kicks into the chorus, watch out!

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The Miraculous Hump Returns From The Moon

2020-03-19T20:35:50+00:00March 12th, 2020|

In Stock March 17, 2020

It was indeed a miracle that this San Francisco outfit returned to action after a hiatus of about five years with their line-up largely intact’their debut, self-titled 1967 album on the Kama Sutra label had scored the first hit to emerge from the Bay Area psychedelic scene with ‘Hello, Hello,’ but the band broke up within a year of its release. And those familiar with the groupa only from its Lovin’ Spoonful-esque hit (Sopwith Camel not only shared a label but also producer Eric Jacobsen with the Spoonful) might well have concluded that they had indeed gone to the moon (or somewhere else celestial) in the interim, for the 1973 Reprise release The Miraculous Hump Returns from the Moon was, ahem, light years ahead of its predecessor with respect to concept, scope, and musical sophistication. Here was a record that, as a 2014 appreciation in The Guardian put it, ‘sounds like it was recorded about a week ago…Taking in elements of FM schmaltz, prog-rock, jazz, showtunes, Krautrock and Indian classical music, this is an album that overflows with ideas, but never overwhelms.’ To that point, parts of this remind us of Tame Impala or even Stereolab with a self-referential, ironic edge that lends some tang to the album’s perfumed exoticism; those looking for more contemporaneous comparisons might reference early Supertramp or Steely Dan. At any rate, it’s one of the lost classics of the early ’70s, which we at Real Gone Music are thrilled to be reissuing on vinyl for the first time in 45 years with the original gatefold artwork intact. Marbled ‘smoke’ pressing limited to 750 copies!

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