Includes six-page booklet (liner notes English/French). Includes download code. The Wizzz! saga continues with a fresh selection of ’60s and ’70s rarities gathered from the unchartered nooks of the French-pop galaxy. Al Awni Bouarane, better known as Abdelwahab Doukkali, was one of the greatest figures of Middle-Eastern music. “Je Suis Jaloux”, sung in French, was released on the label Philips in 1967. “Tom” — a crepuscular mid-tempo with a touch of soul produced for Barclay in 1968 — is François Bernheim’s first solo release. Michel Handson signs this B-side with a touch of hip-hop in 1973 for the label Butterfly. This track from the Swede Matty Kemer’s only single, a tribute to freedom and aviation, was recorded for the label Disque d’Or. Gilles Janeyrand’s track was recorded in 1969 at the Studio des Dames. Albert-Henri Rykaert aka Alain Ricar was a comedian, singer, and songwriter, performing in cabarets or for the theatre, in Paris and in Belgium, then on RTB (Belgian TV). Paul Dupret captivates with the debonair B-side of the one and only single he released for the label Vogue in 1970. Richard Hertel’s first single as a singer on the label Liberty, “Patatras Hola”, also sees him play the drums and organ. Perfect groove, amused lyrics, and atonal gimmick. From a mainly folk corpus emerges Michel Didier’s flashy cover of “Rainbow Chaser” by the English band Nirvana, here renamed “Comme un arc-en-ciel”, is soaked in trippy effects by Jean-Claude Vannier. “Vedette international” is the work of the mysterious Liberatore. Alain Serco signs a frantic homage to his best friend Kiki, the B-side of his sole single, released on South Records at the beginning of the ’70s. Gérard Gray, sensitive to rare or exotic instruments, search for a “different” sound and put together demos tinkering with a Revox tape deck and a variety of objects. “Le Grand Méchant Loup” by François Faray revisits Charles Perrault’s tale of sexual liberation, yielding an ambitious glam-rock track. Patrice Lamy is a romantic singer from Lausanne. “Laisse-moi médire que je t’aime” is the B-side of his third record. The Tunisian crooner K.R. Nagati’s “Sidi Bou” pays tribute to a summer romance and the town of Sidi Bou Saïd, perched on the cliffs overlooking Carthage and Gulf of Tunis. Les Missiles are a group of four buddies from the city of Oran (Algeria). The band’s sound veers towards garage, or even pre-psychedelic music, filled with sound effects.