“The Elevators’ second album, Easter Everywhere showed the band’s progression light years away from their first one but a year earlier. Indeed, they had transmuted beyond their Lightnin’ Hopkins’n’Hooker heated acid blues; delving further inward to the cosmic eye, mind and beyond.

Easter Everywhere is an album that exhibits group chemistry at its ultimate unification. The Elevators had already arrived at a place where they had the songs, lyrics AND feel to animate both into a consciousness-delving manner, but now they took their explorations even further out and beyond the crust, the mantle and the white-hot core of the psychedelic experience into a place where existence can be seen as an eternal dance: a play between time and space, of push and pull (it’s hard to describe without using the language it demands, but here goes) of the whole exchange of thingy-inny to thingy-outty and all that implies?of the spaces between yourself and your existence, as the rollicking rhythm that is life steams full on ahead into the future. A broader expanse was never mapped out by a rock’n’roll band of its time.” — The Seth Man/HEAD HERITAGE.