Originally released in 1983 through Apollon Music industrial corp’s alty sublabel, Mule Musiq sub-label Studio Mule presents the first official digital reissue of Shinsuke Honda’s rare Silence album. Recorded as part of alty’s resort mind music series, Honda-san’s contemplative guitar instrumentals tint the air with nostalgia, longing and a gentle sadness at the impermanence of all things, transporting the listener to an eternal sunset of the mind. A masterful guitarist and composer with a well-listened ear, Honda-San grew up in Hiroshima during the middle years of the 20th century, eventually making his way to Tokyo in the early 1970s, where he spent several years as a member of the pioneering Japanese language folk-rock group Hachimitsu Pie. After they disbanded, Honda-San spent some time in Japan’s jazz and experimental rock scenes before turning his hand to film and television soundtrack work in 1978. Five years later, as new age and kankyō ongaku (environmental music) became commercial record label concerns, alty offered him a record deal. Over Silence’s eight songs, Honda-San collapsed time and space, effortlessly integrating his sepia-toned memories of the rock instrumentals of his childhood with his adult love of jazz, minimalism, electric blues and soundtrack composition. Although Honda-San went on to have an accomplished career in soundtrack work, along the way scoring the Japanese films Target of Lust (1979), Koichiro Uno’s Shell Competition (1980) and Moonlight Whispers (1999), and working on the theme music for the Fuji tv travel program Kazemakase Shin Shokoku Manyuuki, his early work spent decades languishing in obscurity, until it was rediscovered in recent years by record diggers like Tsunaki Kadowaki and Diego Olivas. Forty years on, Mule Musiq and Studio Mule are pleased to be able to contribute to the critical re-evaluation of Shinsuke Honda’s Silence album as an essential desert island disc for lovers of contemporary jazz, steel-string blues and Balearic guitar bliss.