Royal Trux’s 1990 four-song album Twin Infinitives holds an odd position in the canon of drug music. Neil “Michael” Hagerty and Jennifer Herrema have said that although the album itself wasn’t composed while under the influence (a dubious statement to say the least), it was “quality-tested” while high on such colorful narcotic selections as marijuana, LSD, speed, heroin, and more. Alternately sounding like a subway ride inside a television inside an earthquake inside the end of the world and a pounding death rhythm of apocalyptic now, Twin Infinitives’ greatest achievement may be its dissimilarity to any other recorded material ever.