‘Räkna evighet som intet’ (‘Count eternity as nothing’) pits Enocksson’s mettle at the service of a palindromic transition from ethereality to phantasmic facemelt terror and a choral sublime on the first part, into atonal metal-on-metal wondering on the 2nd. It follows a course of releases for the Kning Disk, Release the Bats, Posh Isolation and Irrlicht labels since 2007.

The choral sound du jour has been flung in every conceivable direction over the last few years, but is here handled by an experienced hand, able to transition from hushed reverence to clanging brutality with conviction and purpose. On the A-side, the sombre mood is gradually elevated by phased and pitched transitions that grow with an urgent, metalic intensity, recalling recent work by Henry Birdsey and Zach Rowden’s Tonge Depressor. On the flip, the mood is more industrial and aggressive, landing somewhere between Kevin Drumm’s ‘Sheer Hellish Miasma’ and Mika Vainio’s analogue terror zone.