Jon Iverson meets Prins Emanuel, Golden Ivy & Inre Kretsen Grupp is an experiment bridging time and space. Recorded across decades and continents, the album merges ‘80s American home studio sensibilities with contemporary European kosmische.

After receiving hours of unreleased material from Jon Iverson’s reel-to-reel archive, Séance Centre’s Brandon Hocura conceived of having contemporary musicians ‘finish’ the vibrant sketches and demos that had been languishing since the ‘80s. Immediately, a group of musicians working in and around Malmö sprang to mind as sympathetic and exciting collaborators for this material: Emanuel Sundin (Prins Emanuel), Ivar Lantz (Golden Ivy) and Martin Blomberg (Inre Kretsen Grupp). They were inspired by the proposal and spent several days in the studio, weaving rhythms, textures, and melodies around loops and samples made from the original recordings. The resulting album expands Iverson’s percussive and atmospheric vignettes into wide-open 21st Century group-think cosmic music, adding violin, flute, kalimba, lap steel, percussion, guitar, organ, synthesizers, bass, samples, and effects. A sonic landscape that evoke’s Terence Malick’s Montana Badlands as much as Ingmar Bergman’s windswept Fårö Island.