Words as mirrors in a framework of clatter shape the arches to VOICE ACTOR’s pavilion. Surrounded by offerings of flowers, a construction is shown. The unusual compact scale conforms to tiny standards for intimate listening. All is half-height, so the visitor has to enter on hands and knees. From the verandah a crumbling, overgrown statue can be glimpsed, pointing at the pond nearby. The water is framed by a soundfence of endless space nobody can leap, a tree branch repetitively dips into it from above. Visitors can be seated on large rocks and have the surprising pleasure of hearing tear-stained but triumphant hearts sing.’