The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ – three vocal tracks built around that angular production style that’s both pioneering spirit and buried in sentiment.

Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for tough, smudged rhythms, while ‘How It Was’ refracts sweaty warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. The title track is also perhaps the album’s most beautiful, revolcing around a chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that turn this album into the most memorable and oddly cohesive of Stott’s career so far, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.