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Sam Barker returns with his first solo EP since 2020’s BARKER002, this time on Oslo’s Smalltown Supersound While Barker’s previous releases (2018’s Debiasing EP, 2019’s Utility LP) explored the possibilities of kickless dancefloor tracks, Unfixed sees him inverting the musical equation and exploring both the variability... -
'Farewell to Faraway Friends' finds Lauvdal at her Wurlitzer, captured by two mics in the room, with no additional overdubs or edits Her set of hushed, jazzy flourishes and pregnant pauses is so well realised that it’s hard to believe they were improvised, while the “kitchen feel” of the room recording (as Marhaug describes...
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Søvdsnes is a relative newcomer to the scene, but he's been putting in work in and around Bergen for years, scoring a residency at the infamous Café Opera, where he snagged the attention of local house legend Bjørn Torske Soon, the duo were DJing, producing and performing together, eventually running the monthly radio show Pigs...
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‘Music from the Living Monument’ was written for choreographer Eszter Salamon's dance performance of the same name, a lavish and sculptural show for 14 performers dressed in ornamental fabrics (which you can see on the album art) while surrounded by slowly shifting environments Carmen reflects the measured gestures of the...
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Lindstrøm returns with his sixth studio album Everyone Else is a Stranger, and the first since 2019’s On a Clear Day I Can See You Forever The title of the album was inspired by John Cassavetes’ original title for his 1984 film Love Streams, and contains four tracks of his signature chord-stacking disco epics and freeform...
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Neneh Cherry releases her first solo album in 16 years - a collaboration with RocketNumberNine, produced by Four Tet, and featuring a guest appearance by Robyn The 10-track album, recorded and mixed over a five-day period is, out on Smalltown Supersound It follows 2012’s 'The Cherry Thing', a collaborative record with free jazz,...
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Selected by Jim O’Rourke for his Tone Glow list of 25 albums that “never got their due”, Org was founded in the early 90’s by Espen Jensen and Kjetil D Brandsdal who would later go on to variously record as Elektrodiesel, Noxagt and Ultralyd in the swirl of the highly active Norwegian underground “Org" was the only album...
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The flute's a uniquely misunderstood instrument that rarely gets the attention it deserves, so it’s been a rare treat to hear it explored and captured in a way that challenges our preconceptions You might have come across Johanna Orellana before if you've listened to Carmen Villain's music (or seen her perform live), and Villain...
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Kelly Lee Owens returns with LP82 – a compendium to her LP8 album from 2022 Produced by Kelly herself and Lasse Marhaug (Jenny Hval) this mini album contains 4 tracks and 18 minutes of new Kelly Lee Owens music following the abstract industrial beauty of LP8 LP82 by Kelly Lee...
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Oslo’s Deathprod (aka Helge Sten) announces Compositions, his new album out January 27th on Smalltown Supersound, and presents its lead single/video, “Composition 1” The first new Deathprod studio project since 2019’s OCCULTING DISK—“a mesmerizing, terrifying, and emotionally nuanced ‘anti-fascist ritual’ of an...
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“rRoxymore is a house and techno rule-breaker The producer makes music that feels at home in the club at 4 am, but her productions and DJ mixes pull in a diverse set of influences, whether it's far-flung jazz or woozy psychedelia” - FADER Armed with a disdain for pastiche and a penchant for experimentalism, French-born,...
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Born out of a series of studio sessions, LP8 was created with no preconceptions or expectations: an unbridled exploration into the creative subconscious After releasing her sophomore album Inner Song in the midst of the pandemic, Kelly Lee Owens was faced with the sudden realisation that her world tour could no longer go ahead...
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Even in the increasingly crowded field of electronic music, Kelly Lee Owens’ debut album arrives as a wonderful surprise An album that bridges the gaps between cavernous techno, spectral pop, and krautrock’s mechanical pulse, 'Kelly Lee Owens' brims with exploratory wonder, establishing a personal aesthetic that is as...
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Carmen Villain turns out a career best with her fourth album, a confidently conspicuous co-mingling of dub, fourth world jazz, ambient and kosmische modes Brilliantly eroded, soft-focus music that's wide-ranging thematically, but completely coherent, landing somewhere between Jon Hassell and Rhythm and Sound It's fitting that...
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Norwegian duo Lost Girls, artist and writer Jenny Hval and multi-instrumentalist Håvard Volden, release their first album after collaborating for more than ten years Volden has been playing regularly in Hval's live band for more than a decade, and their duo project goes back to an acoustic collaborative album from 2012, using the...
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Pulse of Defiance is the latest and most fascinating step in Hayashi's still-blooming career—a half-decade of fantastically quixotic output that's established him as one of electronic music's most fascinating aural conjurers After a string of releases on esteemed labels like Lovers Rock, Going Good, and JINN, Hayashi made his...
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When Lindstrøm and Prins Thomas get together, expect the unexpected "The Norwegian production duo's third album III is also their first outing together in eleven years, since II from 2009—and as ever, Lindstrøm and Prins Thomas have crafted their own unique sonic world between the two of them This is expansive,...
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