2023 restock. “In 1987, Rafael Toral began making his own compositions and solo recordings. 30 years later, these recordings sound remarkably prescient and perfectly timeless — almost fresher today than when they were first released. Rafael has spent the time since then developing his conceptions, with continued explorations in the many records that have followed. On the 30th anniversary of his start, we are reissuing Sound Mind Sound Body and Wave Field, his first two long out-of-print albums, on vinyl for the first time. Sound Mind Sound Body was partly inspired by exploring some of the working principles of Brian Eno and Robert Fripp, extrapolated by Rafael via a unique signal path leading out of his guitar. He paid notice to the massive impact of discreet gestures, creating slow-moving tones and spacious orchestral resonances, drifting and droning with glacial majesty, hardly recognizable as guitar much of the time. The first of these pieces were recorded in 1987, and in 1994, they were released on Portugal’s AnAnAnA, with material evolved in the years between, producing a remarkable equilibrium over an hour’s listening. Further evidence of the necessity for gradual development exists in subsequent reissues: for the 1998 Moikai reissue, AE 1 was recorded, and for this edition, AER 7 E was rerecorded and the material for AE 2 was recorded for the first time ever — all from original processes as noted, and none of which will cause the listener to notice a change in the otherworldly atmosphere. Wave Field, released in 1995, was a departure from the first album into new composition methods involving the dirty textures of rock guitar, sounding in the open ears of many listeners (like Jim O’Rourke, who issued the disc in the US on dexter’s cigar) as a synthesis of disparate elements — a nexus where Alvin Lucier, Sonic Youth, My Bloody Valentine and Eno blend together. Here, the clangorous potential of the guitar was emphasized, giving a metallic edge to the two extended pieces and ‘radio edit’ coda. The jacket paid subtle tribute to My Bloody Valentine, which, along with the radio edit, suggested a harmony between musical directions as wildly disparate as minimalist experimental and rock. Today, such a paradoxical intent is more widely considered as a part of the artist’s purview. This allows the sounds of Wave Field and Sound Mind Sound Body to sit perfectly among the forward-reaching music of today — as it continues to evolve in our ears, moving ever towards the next conception of listening space.”