Water Sign finds Brin (aka Colin Blanton) further exploring the slippery world of nanosample bio-techno he’s been researching. As Brin continues to catalogue these ideas, patterns continue to emerge and dissolve into the amorous mesh of tactile audio data; built using sensory percussion and samples, these rivulets of audio spiral, churn, glimmer, proliferate and decay. Momentary ruptures of tranquility act as cartilage connecting sprays of foam frequency, bony clattering minimal free Jazz techno, and nervous system ambience. Brin has cultured a specific and primary sound and Water Sign is an aqueous piece of data. – Matthew Sage