Punk/Metal

Dozer “In The Tail Of A Comet” (Heavy Psych Sounds)

2020-05-21T20:50:17+00:00May 21st, 2020|

Heavy Psych Sounds reissue the first three albums of the Swedish legendary band Dozer: 2000’s In The Tail Of A Comet, 2001’s Madre De Dios, and 2003’s Call It Conspiracy. Three masterpieces of the European stoner scene. These three records elevated the scene to a higher level and gave Dozer the scepter of the Scandinavian stoner movement. In the post-Kyuss era, Dozer, along with bands like Los Natas and Acid King, brought a flurry of pure, desert-style monolithic riffs and tons of fuzz guitars. The songwriting on all these three albums was what really distinguished Dozer from the other bands of the early 2000s. The band had a very big influence on the European stoner bands and it can definitively be said that Dozer are one of the European stoner godfathers. Dozer’s last album was Beyond Colossal in 2008, and it’s unknown if they will ever return back with a new release.

As with hundreds of other young Swedish bands, Dozer was the obvious answer to the boredom of a small town youth in a land where the sun seldom visits. After forming in 1995, Dozer emerged in 1998 with their debut 7″ which was awarded “Single of the Week” in Kerrang! magazine. Dozer quickly progressed beyond their early influences and created a style of their own incorporating modern elements into their classic heavy rock sound. A sound that always has been intensely heavy but yet also strongly song and melody driven by the distinctive vocals of singer Fredrik Nordin. Dozer has carefully cultivated a following like none other and a reputation second to none due mostly assuredly to their constant touring and explosive live shows. These simple Swedes have established themselves as a force to be reckoned with in the world of stoner rock, often placed upon the same pedestal as the fathers of the movement: Kyuss and Monster Magnet. With the release of their fifth full length album Beyond Colossal, these sons of Sweden seemed poised to teach the Underground a lesson or two about what Rock and Roll is all about. After a hiatus the band came back again with some live shows over the last years.

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Dozer “Madre De Dios” (Heavy Psych Sounds)

2020-05-21T20:50:17+00:00May 21st, 2020|

Heavy Psych Sounds reissue the first three albums of the Swedish legendary band Dozer: 2000’s In The Tail Of A Comet, 2001’s Madre De Dios, and 2003’s Call It Conspiracy. Three masterpieces of the European stoner scene. These three records elevated the scene to a higher level and gave Dozer the scepter of the Scandinavian stoner movement. In the post-Kyuss era, Dozer, along with bands like Los Natas and Acid King, brought a flurry of pure, desert-style monolithic riffs and tons of fuzz guitars. The songwriting on all these three albums was what really distinguished Dozer from the other bands of the early 2000s. The band had a very big influence on the European stoner bands and it can definitively be said that Dozer are one of the European stoner godfathers. Dozer’s last album was Beyond Colossal in 2008, and it’s unknown if they will ever return back with a new release. But in the meantime enjoy this special “threesome”…

As with hundreds of other young Swedish bands, Dozer was the obvious answer to the boredom of a small town youth in a land where the sun seldom visits. After forming in 1995, Dozer emerged in 1998 with their debut 7″ which was awarded “Single of the Week” in Kerrang! magazine. Dozer quickly progressed beyond their early influences and created a style of their own incorporating modern elements into their classic heavy rock sound. A sound that always has been intensely heavy but yet also strongly song and melody driven by the distinctive vocals of singer Fredrik Nordin. Dozer has carefully cultivated a following like none other and a reputation second to none due mostly assuredly to their constant touring and explosive live shows. These simple Swedes have established themselves as a force to be reckoned with in the world of stoner rock, often placed upon the same pedestal as the fathers of the movement: Kyuss and Monster Magnet. With the release of their fifth full length album Beyond Colossal, these sons of Sweden seemed poised to teach the Underground a lesson or two about what Rock and Roll is all about. After a hiatus the band came back again with some live shows over the last years.

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Dozer “Call It Conspiracy” (Heavy Psych Sounds)

2020-05-21T20:50:16+00:00May 21st, 2020|

Double LP version. Heavy Psych Sounds reissue the first three albums of the Swedish legendary band Dozer: 2000’s In The Tail Of A Comet, 2001’s Madre De Dios, and 2003’s Call It Conspiracy. Three masterpieces of the European stoner scene. These three records elevated the scene to a higher level and gave Dozer the scepter of the Scandinavian stoner movement. In the post-Kyuss era, Dozer, along with bands like Los Natas and Acid King, brought a flurry of pure, desert-style monolithic riffs and tons of fuzz guitars. The songwriting on all these three albums was what really distinguished Dozer from the other bands of the early 2000s. The band had a very big influence on the European stoner bands and it can definitively be said that Dozer are one of the European stoner godfathers. Dozer’s last album was Beyond Colossal in 2008, and it’s unknown if they will ever return back with a new release. But in the meantime enjoy this special “threesome”… Double-LP versions available on standard black vinyl and green vinyl; include one bonus track.

As with hundreds of other young Swedish bands, Dozer was the obvious answer to the boredom of a small town youth in a land where the sun seldom visits. After forming in 1995, Dozer emerged in 1998 with their debut 7″ which was awarded “Single of the Week” in Kerrang! magazine. Dozer quickly progressed beyond their early influences and created a style of their own incorporating modern elements into their classic heavy rock sound. A sound that always has been intensely heavy but yet also strongly song and melody driven by the distinctive vocals of singer Fredrik Nordin. Dozer has carefully cultivated a following like none other and a reputation second to none due mostly assuredly to their constant touring and explosive live shows. These simple Swedes have established themselves as a force to be reckoned with in the world of stoner rock, often placed upon the same pedestal as the fathers of the movement: Kyuss and Monster Magnet. With the release of their fifth full length album Beyond Colossal, these sons of Sweden seemed poised to teach the Underground a lesson or two about what Rock and Roll is all about. After a hiatus the band came back again with some live shows over the last years.

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Type O Negative “World Coming Down” (Roadrunner)

2020-05-21T20:49:57+00:00May 21st, 2020|

Type O Negative is an American goth-metal band formed in Brooklyn in 1989 by Peter Steele (lead vocals, bass), Kenny Hickey (guitar, backing vocals), Josh Silver (keyboards, backing vocals), and Sal Abruscato (drums, percussions), who was later replaced by Johnny Kelly. World Coming Down is their fifth studio album and is considered to be the darkest of the band’s releases, having been written after a series of deaths in Steele’s family. It was their first album to reach the Top 40 on the Billboard 200 chart. The album when issued on CD leads off with a “joke intro”: in this case, “Skip It”, 11 seconds of staccato band noise meant to sound as if the listener’s CD player is skipping. For the debut of this album on vinyl, “Skip It” has been edited to sound like the listener’s record is skipping on a turntable. The track “White Slavery” deals with cocaine addiction. Two other songs, “Everyone I Love Is Dead,” and “Everything Dies”, touch on the difficulties of watching family members and loved ones pass away. “Who Will Save the Sane?” deals with mental illness and psychiatry. The album contains three soundscape tracks: Sinus, Liver and Lung, which are named after internal organs, as segues between songs. Each of these songs is intended to suggest the possibilities of deaths the band members may have suffered at the time. At the end of the album is a cover song of Day Tripper which is a medley of three Beatles songs. World Coming Down received mostly positive reviews upon release. AllMusic critic Steve Huey gave it 4 out of 5 stars. Adam Wasylyk of Chronicles of Chaos gave it a 10 out of 10, saying “An album that won’t be ignored, it’s my favorite album of 1999. Hands down.” The Washington Post’s Mark Jenkins wrote that Type O Negative “…shows some unexpected warmth” on the album, adding that “Much of the album thuds and growls, but the refrain of “Pyretta Blaze” is genuinely catchy.” Although World Coming Down was included on vinyl in the None More Negative 12LP box set, this is the first time it will be getting its own worldwide stand-alone release on wax; courtesy of Roadrunner and Run Out Groove.

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The Pathetx ‎”1981″ (Third Man)

2020-05-14T23:35:44+00:00May 14th, 2020|

Third Man Records is proud to announce the first-ever release of The Pathetx – 1981. Clocking in at 18:16 minutes, available in standard black and limited edition colored vinyl 12” 45rpm versions.

The formation of the Pathetx began in 1980 with singer, Mark Leavitt, and guitarist, Greg Kutcher. They had been playing together in their basements for a while and were looking to get out on stage in the punk clubs in and around Detroit. They assembled the rest of the group, drummer Ted Meek, guitarist happy Tom McHenry and 16 year old bass player Mick Nasty, through newspaper ads, local “punk walls” and music stores. The Pathetx took their inspiration from the West Coast punk scene that was happening at the time, bands like The Germs, Black Flag and Dead Kennedys, as opposed to most of the other punk bands that were kicking around Detroit who were looking to The Stooges and MC5 to show them the way. Nunzio’s was the band’s unofficial home away from home but they played every legendary punk club in the area: Bookies Club 870, Freezer Theater, Red Carpet, Windsor’s Coronation Tavern…you name it, The Pathetx played it. They shared the stage with Detroit’s first wave punk bands as well as the superstars of this new hardcore thing that was happening. They played the legendary Endless Summer Skatepark show with Necros, Negative Approach and Meatmen. Their live shows were filled with beer, blood and pogos.

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G.I.S.M. “Detestation” (Dogma)

2020-05-07T20:41:48+00:00May 7th, 2020|

A reissue of G.I.S.M.’s Detestation, the absolute masterpiece of Japanese hardcore punk, originally released on the Dogma label in 1983. Considered a seminal album for the whole death metal genre, this is must for all fans of hardcore punk, Japanoise, grindcore, anarchy, violence, and all things extreme. Includes are five bonus tracks from the Great Punk Hits (1983), Hardcore Unlawful Assembly (1984), and Outsider (1982) compilations. Limited gatefold edition including a “Punks Is Hippies” poster.

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Brant Bjork ‎”Brant Bjork” (Heavy Psych)

2020-05-07T20:41:46+00:00May 7th, 2020|

Limited edition red spatter vinyl. “Even before you know it’s self-titled, and even before you read the LP liner notes, you know it’s all Brant Bjork. The man who has become the ambassador of Californian desert rock indeed plays every instrument across his 13th studio full-length, Brant Bjork. This in itself is something of a departure from recent offerings, as on 2018’s Mankind Woman, Bjork worked closely with guitarist Bubba DuPree (Void), and both 2016’s Tao of the Devil and 2014’s Black Power Flower were constructed around the Bjork-led Low Desert Punk Band. Maybe revisiting his 1999 debut, Jalamanta, for a Heavy Psych Sounds 20th anniversary reissue in 2019 had some effect on Bjork’s mindset in terms of working solo, but he’s come too far in the ensuing decades to repeat himself, and the songs on Brant Bjork — recorded and mixed by Yosef Sanborn in Joshua Tree and mixed by John McBain (ex-Monster Magnet) — show that, whether it’s the mellow roll of ‘Duke of Dynamite’ or the signature take on classic heavy rock in ‘Jesus Was a Bluesman’ and percussion-backed funk of opener ‘Jungle in the Sound’. There’s no mistaking Brant Bjork, and on Brant Bjork, he strips his songwriting style to its core and brings out the organic vibe that’s made him desert rock’s most crucial practitioner. His legacy and pedigree are unmatched, with tenures in Kyuss/Vista Chino and Fu Manchu as well as the sadly short-lived Ché, Ten East, and others, but it is Brant Bjork’s solo work that has had his greatest impact and shown him to be of inimitable character in craft and style. His unrelenting creativity and one-of-a-kind voice are writ large over the Brant Bjork album, which is precisely how it should be, and after more than two decades of exploring out in the sands, Bjork continues to find new ways to manifest not just the landscape of the desert, but the spirit of his relationship to it. In short, he is a master, and this is the record that bears his name. You miss it at your own peril.” –JJ Koczan

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Pop Group “Alien Blood” (Mute)

2020-04-30T22:45:31+00:00April 30th, 2020|

Alien Blood is the result of the band’s meticulous process of revisiting the original 2” tapes of their studio sessions and recordings, unearthing never-before-heard material, including the studio recording of ‘Kiss The Book’, gloves off version of ‘We Are Time (Ricochet)’, and ‘Words Disobey Me (Dennis The Menace Mix)’ whilst exposing the raw skeletons of iconic tracks such as the original velocity of ‘Thief of Fire (Bass Addict).’

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Rowland S. Howard “Teenage Snuff Film” (Fat Possum)

2020-04-30T22:45:29+00:00April 30th, 2020|

“Teenage Snuff Film was the long awaited first solo album recorded and released by Rowland S.Howard in 1999. Rowland recorded the album at the Birdland & Sing Sing recording studios in Melbourne with longtime colleague and collaborator Mick Harvey contributing drums, organ and guitar and Brian Hooper on bass. The album was produced by Lindsay Gravina and engineered by James Mason & Jade Martin, and released to critical acclaim both here in Australia and internationally. Teenage Snuff Film featured 8 original songs; ‘Dead Radio’, ‘Breakdown (and then…)’, ‘I Burnt Your Clothes’, ‘Exit Everything’, ‘Silver Chain’, ‘Undone’, ‘Autoluminescent’, ‘Sleep Alone’ and 2 cover versions; ‘White Wedding’ (Billy Idol) and ‘She Cried’ (The Shangri-Las). Fat Possum Records is set to release a limited edition double vinyl set of the long out of print ‘Teenage Snuff Film’. This record is highly sought after by collectors, with rare copies appearing on eBay selling for huge $ amounts. Pressed on 180 gram black vinyl — three-sided double album, with Side D featuring an etching of a Rowland illustration.”

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Viogression “Expound And Exhort” (Hammerheart)

2020-04-30T22:45:25+00:00April 30th, 2020|

Forgotten early 90’s Death Metal classic back in the spotlight!

Viogression’s debut is one of the great early 90’s Death Metal albums but it never got any bigger attention. This was because the band signed to one of the most notorious rip-off labels at the time, and this wasn’t the only bad thing that happened. Viogression’s American label folded during the first week of the band’s tour with Death, a tour was meant to promote “Expound & Exhort”, and to add insult to injury, their label could not pay for the Euro leg of said tour and so the band had to withdraw. This resulted in very little attention to their debut which just happens to be a Death Metal masterpiece.

“Expound and Exhort” is an album full of great Death Metal that brings Obituary and earlier Death to mind. Vocalist Brian DeNeffe is in league with John Tardy, but occasionally he uses a vicious screamy style of singing. Mostly the music varies between mid-tempo and slow ’n doomy but there are also some sudden blastbeats. This little factor sets Viogression apart from for example Obituary because they never used blastbeats. The production is good and surprisingly heavy, which is a great thing since some of the more underground Death Metal albums have quite a weak production (and it is fully remastered and restored for this re-issue). Another thing that sets Viogression apart is the use of weird effects and ambient parts in the songs. Viogression definitely gets the job done in the quality department, exuding a level of enthusiasm and intensity that is difficult to miss.

“Expound and Exhort”is one of those albums that doesn’t really get old, it keeps moving and changing things up, and does not fall shy of matching what was coming out of the bigger names in the early 90’s. To sum it all up, “Expound and Exhort” is essential for all fans of early 90’s Death Metal. Despite being heavily Obituary influenced it’s by no means a clone. They don’t make ‘em like this anymore.

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Clientelle “Destination Unknown” (On The Dole)

2020-04-16T20:19:57+00:00April 16th, 2020|

Clientelle came from St. Albans, UK and in 1981 they released the now extremely hard to find ”Destination Unknown” album. Considered a NWOBHM masterpiece the album perfectly blends heavy and loud metal with frenetic powerpop and punk. It’s also beer-stained pubrock with glamrock-roots and even some proggish bits thrown in for good measure. Above all it’s class AAA Brittish working class rock’n’roll and a piece of UK music history that should be heard by many listeners.

This first-ever vinyl reissue is all the evidence needed for how Clientelle followed their own path. Destination Unknown opens with the punky yet poppy ”Play To Win”. It’s followed by the more complex ”My Lady”, where a series of crescendos and softer passages are punctuated by stomping, glam-inclined sections. ”Can’t Forget” comes off like if the Small Faces had been a NWOBHM-act instead of kings of the 60’s modscene. The title track verges on prog rock, but retains a rockiness. ”Missing Persons” is straight-ahead rock, again with this poppiness. Instead of reacting to trends, Clientelle did their own thing – which is why Destination Unknown stands apart, and remains as fresh as when it was released.
Iron Maiden, Def Leppard, Judas Priest and Saxon all got signed by majors and sold records galore, meanwhile bands in every village across England formed. Inspired by the energy and DIY attitude of the punk scene these acts recorded and released their records all on thieir own. Many acts self released singles and a few, like Clientelle, managed to cut a full-length album.

Remastered and restored sound. Extensive liner notes by Kieron Tyler (Mojo Magazine). Richly illustrated with many rare photos

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Aeternus “…And So The Night Became” (Soulseller)

2020-04-16T20:19:54+00:00April 16th, 2020|

The classic masterpiece and second Aeternus album of black dark Norwegian metal finally re-issued! Heavily rooted in the classic black metal scene from Bergen, Norway, Aeternus first released their second album “…And so the night became” in 1998. 22 years later the long overdue re-issue on cd digipack and gatefold double vinyl is finally presented with the original cover art!

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Black Death “Until We Rock: The Lost Recordings” (Wyrd War)

2020-04-16T20:19:52+00:00April 16th, 2020|

Cleveland, Ohio’s legendary BLACK DEATH is widely hailed as one of the first African American heavy metal bands, and this definitive new triple LP anthology assembles for the first time on vinyl their seminal demos, compilation tracks and only existing live recordings from the classic 1983-1988 era. UNTIL WE ROCK: THE LOST RECORDINGS features their rare 1983 demo, Cleveland Metal compilation tracks, epic live concert jams and previously unheard 1988 rehearsal demo that was intended to be the band’s sophomore record following the acclaimed and highly sought 1984 release on Auburn Records. Three full-length records, more than 100 minutes of music, lovingly restored and mastered for vinyl by Timothy Stollenwerk from the rawest of RAW source material & featuring gatefold liner notes by streetwalkin’ survivor Siki Spacek himself! A crucial underground bridge between the soulful guitar wizardry of Jimi Hendrix and the bold forward-leaning experimentalism characterized by the Afro Punk movement, this expansive collection has been several years in the making. The release date commemorates the precise day that guitarist Vincent Lindsay marched onward in 2018 after a prolonged and brave battle with cancer. UNTIL WE ROCK!

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Handle “In Threes” (Upset Rhythm)

2020-04-03T01:02:00+00:00April 3rd, 2020|

LP version, edition of 500 on 180g vinyl. Incorporating a diverse range of influences, from samba to no wave, Handle, a three-piece from Manchester (now based between Manchester/London/Brussels) made up of Giulio Erasmus and Nirvana Heire, former members of D.U.D.S (the first British band to sign to Castle Face) and Leo Hermitt, a genderqueer multidisciplinary artist renowned for their challenging, thought-provoking work in the city’s arts and literary scenes. The group mesh politics with a trans experience of time and a vibrant, avant-garde freedom of approach. Handle make a uniquely minimal sound, buoyed by poetic, urgent vocals. Each instrument (bass, drums, keyboard and voice) is permitted its own space, yet somehow the result is a brilliantly unified yet understated sonic experience that demands then commands your attention. Powered by looping, hypnotic synth lines, quaking flexes of bass, clattering tribal percussion and expeditious, often agitated vocals that cordially sprint, Handle’s songs — all of which clock in around the two-minute mark — owe as much to performance poetry as they do to the vibrancy of post-punk and new wave. In these times of anxiety and confusion, Handle provide a much-needed dose of musical catharsis, albeit disorientating at times, pre-empting sense from the shards of sound they gather about themselves. “Life’s Work” begins with isolated swells of pitch before driving full throttle into an exuberant rhythmic workout. “Sunday Morning” shares this elasticated feel for melody and communication, twisting about itself in rubbery fashion. “Coagulate” is more disembodied from the pulse, but similarly retains a boldness of vision. “Step By Step” showcases what Handle excel at, it’s a clangorous leviathan of beat-forward dance punk, peppered with Leo’s fluid vocal inertia. It’s dizzying yet divinely exuberant. “Punctured Time” evokes the same cascading flow “Punctured time, bicycle wheel, what if I told you that your lips were like venus, lips were like what? Lips were like venus and that my tongue was a trampoline?” sings Leo amid undulating bass, toppling drums and jabs of keyboard ambience. Handle make music occupied by dark shapes that move beneath a roiling surface: jolting, shattering, cracking, smoothed, bounded, punctuated. Handle’s debut album In Threes is a collection of frenetic sounds for frenzied forms. In Threes was recorded and mixed by Robin Williams and follows on from the band’s previous EP Demonstrations (2018), released through their own imprint Absolute Fiction.

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Acrimony ‎”Hymns To The Stone” (Burning World)

2020-03-27T02:29:24+00:00March 27th, 2020|

The first album by Acrimony (from 1994) for the first time ever on vinyl! Remixed and mastered in 2019 from original studio files by James Plotkin. Includes new artwork from JimBob Isaac (Taint/Hark). Acrimony’s influences were varied, from ’70s rock to trance techno, but their riffs were undeniably heavy, with lyrics exploring the isolation of their hometown and the same kind of disaffection that once launched Black Sabbath to the outer reaches of doom from a blues rock beginning.

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D.R.I. “Greatest Hits” (Back On Black)

2020-03-27T02:29:22+00:00March 27th, 2020|

Reissue of the D.R.I. ‘Greatest Hits’ album, originally released in 2001. D.R.I.’s music has combined elements of punk rock, thrash metal, speed metal and heavy metal, while their early material has been described as hardcore punk. They are often cited as one of the key bands that helped create the crossover thrash genre, along with S.O.D., Suicidal Tendencies and Corrosion of Conformity.

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Nasty Savage ‎”Wage Of Mayhem + Rarities (1983-1985)” (FOAD)

2020-03-27T02:29:20+00:00March 27th, 2020|

Nasty Savage’s classic demotape ‘Wage Of Mayhem’ (1984) for the first time on vinyl spiced up with a lethal selection of rare and unreleased bonus tracks from the early days. Nasty Savage were the undisputed pioneers of Florida’s metal scene, arguments can be made that the early ’90s Tampa area death metal explosion was a direct result of Nasty Savage, who mixed a more nihilistic view, lyrically and through onstage horror imagery, than the Bay Area. Their debut demotape and the additional early tracks collected here show the band on a more power metal oriented approach (at times even leaning to NWOBHM areas) than the incendiary thrash artillery of some subsequent works, but the amount of memorable riffs, a dark evil mood with a few psychedelic elements and the charismatic vocals of their distinctive frontman Ronnie Savage, clearly show the fact that even at their inception they were surprisingly mature and way ahead for their times.

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Radio Birdman ‎”Living Eyes” (Citadel)

2020-03-27T02:29:19+00:00March 27th, 2020|

‘Living Eyes’ was recorded at Rockfield Studios in Wales during a break in the band’s 1978 tour of Britain and Europe. Relations between members were falling apart and Sire had dropped the band prior to the start of recording. Their breakup soon followed. Initial releases were cut from a tape dub of trial mixes as the band never received an official master. Red Eye Records retrieved the master tapes from Rockfield in 1995 and the album was remixed. Limited to 1250 copies.

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Stephen O’Malley “Auflosung” (Editions Mego)

2020-03-20T19:35:05+00:00March 19th, 2020|

“Produced within the context of The Guidebook of Church Burners publication release, this performance was recorded at visual arts institution LE BAL in Paris, May 4th 2018. Published by Païen in a limited edition, the book explores and transforms into an abstract narration the multiple facets of black metal iconography and history. Emerging from a dialogue between sound and image, the otherworldly piece created for that evening by Stephen O’Malley is a result of this collaboration.” – Emilie Lauriola

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