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Academy and Grammy ® Award-winning composer/arranger Michel Legrand (The Umbrellas of Cherbourg, Summer of ’42, The Thomas Crown Affair) was not a household name in America in 1958, but he was renowned among musicians and a life-long fanatic of American jazz and its players Legrand Jazz is the result of Legrand traveling to... -
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Audiophile Reference Sonics: Lean, Stripped-Back, and Open Sound With Startling Immediacy and Realism 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made Equally inspired by the leader's desire to assemble the "greatest rock and roll...
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Reissue Presents Oft-Overlooked Masterwork with Riveting Sound - in Mono 1/4" / 15 IPS analog mono master to DSD 64 to analog console to lathe Miles Davis created just one studio album with his original sextet He made every moment count Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe...
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ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet — saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams — gels, establishing what would become their signature adventurous hard bop Miles had been moving toward this direction in the two years...
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This edition presents the complete album Someday My Prince Will Come, which was the only studio LP made by the formation of the Miles Davis Quintet featuring Hank Mobley on tenor sax (the two other official sets by this quintet would be live recordings) It also marks the last recorded encounter of Miles with John Coltrane, who...
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"There is something more satisfying and historically complete to having a superbly reproduced version of the original document and that is what Sam Records provides in its commendably completist style that includes a laminated 'fold-over' cover, outstanding cover photo reproduction and as a bonus, a black and whilte matte finish...
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Legends have a way of sticking around If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged...
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That's What Happened 1982-1985: Bootleg Volume 7 is the next instalment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of...
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A partner album to the previous Miles release “Decoy,” this album released in 1985 is also produced by Miles and loaded with the synths of Robert Irving This LP has some surprising new looks at pop tunes by Micheal Jackson and Cyndi Lauper and also features the return of John McLaughlin on guitar, and a guest performance from...
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This record is self produced by Miles himself!!! Without long time production collaborator Teo Macero, Miles chases new directions with this 1984 recording Miles allows keyboardist Robert Irving and guitar legend John Scofield to write most of the material on the LP This record is dripping with some of the new sounds of synths...
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Miles Davis Bopping the Blues on 180-gram LP from Black Lion/Original Recordings Group Landmark 1946 historical release documents Miles Davis' first-known instance of open-voiced trumpet playing at one of his earliest sessions Tantalizing audiophile restoration series resurrects UK label Black Lion: Mastered by Bernie Grundman...
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Reissue, originally released in 1982 "Pressed on opaque yellow vinyl with Japanese stylized insert and deluxe obi strip Remastered from the original analog tapes The first live Miles Davis electric band release since 1977's very dark and heavy Dark Magus The album features live performances from shows at Boston's Kix Club The...
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"The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscuredwith these 45rpm LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy" - Marc Mickelson, The Audio Beat,...
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2 hours of previously unreleased studio recordings from 1966-1968 Newly mixed and remastered in high resolution audio 50th anniversary of Miles Smiles - one of the albums that came out of these recordings Includes full session reels including all rehearsals, partial and alternate takes, studio conversation and...
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After John Coltrane and Cannonball Adderly left the 'quintet', Miles Davis was forced to search for new qualified musicians He found them in Hank Mobley, Wynton Kelly, Jimmy Cobb and Paul ChambersIn 1961, just two years after recording Kind Of Blue, Miles and his new line up started recording energetically and finished Someday My...
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Porgy & Bess (1958) is the interpretation of Gershwin's work by Miles Davis and composer Gil Evans, a point where the collaboration between the pair came to full fruition With Evans's intimate knowledge of Gershwin, and it's prime performer Davis, their renditions of the work was propelled into the musical...
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Music On Vinyl proudly presents the second installment of the acclaimed Miles Davis Bootleg series on 180 gram vinyl!Part 1 (Live in Europe 1967, MOVLP421) was voted Historical Album Of The Year in the Down Beat Readers and Critics Poll Bootleg 2: Live In Europe 1969 skips two years ahead to record Davis with his 'third great...
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Recorded in two days in the summer of 1967 Nefertiti is Miles Davis' last fully acoustic album, with no compositions from Miles himself Most tracks are written by Wayne Shorter & Herbie Hancock Best known for its unusual title track, where the horns keep repeating the melody and the rhythm section improvises (in stead of...
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The wonderful Post-Bop album Miles Smiles (1967) was recorded by Davis's second great quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams The album showcases Davis' deeper exploration of modal performance with looser forms, tempos, and meters Although it did not...
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Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith...
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It has been said that Jazz stopped evolving when Davis wasn't there to push it forward Even if that isn't true, Miles Davis certainly was one of the greatest music innovators of the 20th century, pioneering Cool Jazz (with the 1949 recording of Birth Of The Cool), Modal Jazz (with 1959's Kind Of Blue) and Fusion with 1970's...
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Ascenseur Pour L'échafaud is a 1958 French film directed by Louis Malle It was released as Lift To The Scaffold in the UK The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman Jean-Paul Rappeneau, a Jazz fan and Malle's assistant at the time,...
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Miles Davis' often overlooked masterpiece Miles in the Sky is his venture into the jazz-rock, which later became known as fusion While working together with his second great quintet his interest in the usage of electric instruments was increasing every day The first album from his “Electric” period is one big grooving...
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Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl! Definitive handmade limited run reissue Ultra High Quality Record! 33 1/3 RPM LP release limited to 25,000 copies Best-selling album in jazz history; mastered directly from the original 3-Track master tapes by Bernie Grundman Pressed...
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Filles de Kilimanjaro (named after the Kilimanjaro African Coffee) is one the many masterpieces American composer and trumpeter Miles Davis recorded during his lifetime It can be seen as a transitional album, right between his “acoustic” and “electric” period He recorded this incredible work of modern jazz together with...
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Except for the taping of a live performance at the Portland Festival, Miles Davis’s discography for 1966 only lists the recordings made for the LP "Miles Smiles"! How strange when one considers the usual large output of Miles and his ensembles for Columbia Records in the Sixties The bass player Ron Carter was best suited for the...
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It's 1964 and the first Berlin Jazz Festival is about to reach its absolute peak: the final concert on the night of Friday, 25th September by Miles Davis And the European subsidiary of Columbia Records, CBS, couldn’t wait to release this legendary event on LP The new quintet, for the first time with Wayne Shorter on the tenor...
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Reissue Originally released in 1976 180 gram vinyl "Water Babies is a compilation album by American jazz trumpeter Miles Davis It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way...
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The collection features liner notes by music historian, journalist, and producer Ashley Kahn, along with art designed by Bruno Tilley For a limited time, an exclusive fold-out poster and postcard will be available with purchase via Rhinocom and MilesDaviscom Miles Davis performed with the Miles Davis Group on July 1, 1991, at the...
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Dark...
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At long last these early recordings, which Miles Davis set down for the Columbia label in 1955 and 1956, are available on LP again And what is more, they were made without any alternate takes or second attempts, as is the custom these days You can sit back and enjoy the six numbers in the order which the producer, probably in...
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Reissue on 180-gram vinyl of a 1972 offering from the legendary Miles...
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Get Up With...
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Double-LP edition on 180-gram vinyl, presented in a gatefold sleeve with a 4-page booklet This live material was recorded on April 10th, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead The recording took place shortly after the release of Miles' classic album 'Bitches...
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Vinyl LP pressing including digital download Showcasing the musical chemistry shared by Miles and Trane and lets fans experience the magic of both artists at the peak of their collective powers Miles and Trane each implemented their own jazz revolutions at the time of these concerts and the electrifying sonic frisson produced by...
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'Miles In Tokyo' is a live album recorded on July 14, 1964, by the Miles Davis Quintet (featuring Sam Rivers, Ron Carter, Herbie Hancock and Tony Williams) at the Tokyo Kosei Nenkin Kaikan, Shinjuku, Tokyo, Japan It is the first recording of Davis in Japan and the only album to showcase an early incarnation of his Second Great...
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A legendary show from the Miles Davis Group recorded from SWR in Germany in 1971, and featuring a breath-taking line-up including no less than Keith Jarrett on electric piano and organ Live at Berliner Jazztage in Berlin on November 6,...
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