Salami Rose Joe Louis announces new album “Zdenka 2080” out 30 August via Brainfeeder and releases double single ‘Octagonal Room’ / ‘Cumulous Potion (For the Clouds to Sing)’. Check the video for ‘Octagonal Room’ directed by Japhy Riddle.
Drawing inspiration from film, literature, art, and music, “Zdenka 2080” was heavily influenced in particular by a series of apocalyptic sci-fi novels by Octavia Butler and Gene Wolf. “They inspired me to explore the realms of fantasy as a means of illuminating concepts and truths about our own society and humanity,” she says. “I also was very inspired by the movies Tekkonkinkreet and Embrace of the Serpent – a beautiful exploration of capitalism, colonialism and greed.”
Musically, Olsen references fellow members of Oakland record label/musical family Hot Record Societe: Cheflee, Mejiwahn, Asonic Garcia and Pacific Yew as ever present influences, alongside musical giants Shuggie Otis and Herbie Hancock, composer, bandleader and all-round visionary Raymond Scott, plus the likes of Stereolab and Flying Lotus.
Olsen’s music is highly conceptual and “Zdenka 2080” describes a future dystopian Earth in the year 2080 that has been mis-managed by unethical governments and corporations. An initiative by greedy big business to capture solar energy to power a super-sized spaceship, results in a rapidly cooling Earth, and the elite escape via the spaceship to colonize another distant planet. The earthlings left behind find themselves fading with the cooling sun. The first half of the album follows the journey of a young earthling left behind. She discovers an octagonal room with eight paintings, each one leading to a new dimension, and travels through the dimensions in search of a way to save her planet. Her journey eventually leads her to a window where we discover that the octagonal room is the brain of the Earth and the paintings and coinciding dimensions are the thoughts of the Earth creature. The imagery of the paintings affect the thoughts of the Earth creature. Zdenka is the name of the artist who creates the paintings inside the octagonal room. Thus, she can influence the thoughts and actions of the Earth creature and humans on Earth based on what she paints. In this story, Zdenka is lost and confused and she paints very dark imagery. The young earthling begins a quest to find and convince her to paint more positive imagery.
Olsen says that her moods are often very connected to whether or not she is feeling creatively inspired and productive. “I have noticed creative blocks for me can be dark spirals into ego-centric, self loathing, isolating, and selfish tendencies,” she explains. “In this story, I wanted to explore the ways in which art can easily take dark and careless turns, but how important it is to remember the effects art has on others. I am not advocating for optimistic art only – I just wanted to write this story as a reminder to myself to strive to be intentional in the art I create.”