Since the inception of Gregory Vand and Susan Subtract’s electro-punk outfit High-Functioning Flesh in 2012, the band has proven to be one of the most singular acts in years, defying the genre tag of “classic” EBM, as the creativity and fresh perspective they bring to the stage and studio has been instrumental in carving out a modern audience for the genre – elevating HFF into a category all their own. Following their striking debut on DKA Records in 2014, High-Functioning Flesh delivered an exceptional step forward in their sound on their sophomore effort for Dais Records, the “Definite Structures” LP in 2015. Since then, High-Functioning Flesh has toured extensively with label mates Body of Light and previewed their caustic shift to a more refined, hardened signature with their “Human Remains” single in 2016. We now find High-Functioning Flesh at their sharpest and most poised position to date within their newest album: “Culture Cut”. Produced and mixed solely by the band in their personal studio during the Fall of 2016, Vand and Subtract felt the need to start the recording process on fresh footing, and composed “Culture Cut” using a variety of newly acquired vintage Roland and Oberheim equipment, creating entirely new percussion and synth samples to break out of familiar writing habits.