Mind-shattering double LP of dysphoric space-rock minimalism from two luminaries of the Swedish punk underground. Second Launch follows Bremen’s self-titled debut of 2013 and comprises 11 controlled improvisations, reinforced with overdubs, that take clear inspiration from the dark side of Kraut and progressive rock, early electronic and drone music, while also owing something to the fathomlessly bleak interior landscapes conjured by Nico/Cale on The Marble Index and Desertshore. The complex dialogue between Lanchy Orre’s guitar and Jonas Tiljander’s organ, by turns pensive and combative, bound up with their mastery of reverb and feedback, is the focal point of the record; supplemented with drums and sparingly-deployed analog synthesizer tones to evoke nothing less than the vast emptiness of outer space and the obliteration of all meaning and identity in the face of it. From the full-throttle motorik and bonehead repetitions of “Sweepers” and “Entering Phase Two” (echoes of Tiljander and Orre’s alma mater, Brainbombs) to the deep astral psychedelia of “Static Interferences,” via the mournful Northern European ambience of “Walking the Skies,” the rolling thunder of “They Were Drifting,” and the poignant, star-gazing blues of “Hollow Wave,” Second Launch charts impossible gradients in its search for answers to the oldest questions of all. Gatefold sleeve.