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Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more... -
First vinyl issue of these raw experimental dub collaborations between Muslimgauze and The Rootsman, written, recorded and mixed at the Third Eye Studio, Bradford, UK between 1997 and 1998 Originally released on CD by Russian label Aquarellist Edition of... -
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Narcotic is perhaps one example of an album in both camps of the Muslimgauze spectrum, it denotes the expertise acquired in oriental percussion by Bryn Jones after a crescent development and practice through action, part tribal, part ambient with shades of texturized noise, glitch details and field recordings, as result the... -
'Uzi' is Muslimgauze's gem from the late '80s Cinematic, minimal, noisy, hypnotic, and gloomy Probably not so overtly Middle Eastern as his later works, though definitely bearing an influence Backed by electric drones, percussion forms a living, breathing atmosphere of impending menace For a strange reason this album was missing... -
Emak... -
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Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is... -
AP Reworks... -
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Bastard Salaam... -
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The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is...
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