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Unique tribal dub-trance music influenced by Arabic culture with a touch of post-industrial Hypnotic rhythms mixed with with eastern vibes Muslimgauze at its... -
Re-release after of another true CLASSIC by Muslimgauze, originally released in 1999 by the label BSI in Portland/USA, and NEVER since re-released! This much demanded first ever re-release comes in completely new artwork, and with all tracks re-mastered especially for this edition The regular black vinyl version is limited to 500...
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It's by some strange inversion that since his untimely death in 1999 Bryn Jones' Muslimgauze project has become evermore enigmatic as his publicly available recordings have become evermore vast The Mancunian artist's sudden passing at the age of 37 prematurely resolved a body of work that remains as experimental as it is diffuse,...
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Sale!Out of stock
Written, recorded & performed by Muslimgauze, this album was withdrawn by Bryn Jones, and replaced by the ‘Betrayal’ album in 1993 This is the album in its original form, as intended by Jones The material was recovered from a cassette copy of the album as the original DAT was reused ​ "Shekel Of Israeli Occupation'...
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Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of...
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The first vinyl issue of original material previously published in 1997 on CD by Third Eye Music (The Rootsman's own CD imprint) The second collaboration between Muslimgauze and The Rootsman following the Amahar release (VIA 001LP) Arguably one of the highpoints from both these UK sonic pioneers (John Bolotten, aka The Rootmsan,...
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Sale!
Uzi is Muslimgauze’s gem from the late ’80s Cinematic, minimal, noisy, hypnotic, and gloomy Probably not so overtly Middle Eastern as his later works, though definitely bearing an influence Backed by electric drones, percussion forms a living, breathing an atmosphere of impending menace For a strange reason, this album was...
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Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more...
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First vinyl issue of these raw experimental dub collaborations between Muslimgauze and The Rootsman, written, recorded and mixed at the Third Eye Studio, Bradford, UK between 1997 and 1998 Originally released on CD by Russian label Aquarellist Edition of...
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Narcotic is perhaps one example of an album in both camps of the Muslimgauze spectrum, it denotes the expertise acquired in oriental percussion by Bryn Jones after a crescent development and practice through action, part tribal, part ambient with shades of texturized noise, glitch details and field recordings, as result the...
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Emak...
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Long-time Muslimgauze fans with keen eyes and/or photographic memories may immediately notice something about the newly unearthed Sadaams Children album; with some slight orthographic differences, it just about shares a name with a short track from the classic Narcotic (Staalplaat, 1997; the similarity and the difference is...
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AP Reworks...
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Bastard Salaam...
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The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is...
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